1673 безплатни аудиофайлове за "F Sharp Chords"

Buzzy noise.

Violin sample tone a sharp. . Maybe played on juno di.

Simple distortion bass.

Simple distortion bass.

When we open and close the door it produces a sharp sound. When we close the door the sound is louder because it hits into the wall.

Sharpening a knife. Recorded with behringer c4 and focusrite scarlett 2i2.

High-pitched grainy scraping, quick sharp sound.

My drumloop at medium speed.

Letting go of an open clothespin. Used as a snapping wire in my game the life and times of daniel vastberaden.

This is what i would imagine a guillotine rising would sound like. I made this in adobe audition mixing different sound bits together.

Loud, short, sharp belch.

A sharp sound effect from distortion and filter manipulations.

Trumpet audio sample d4 sharp.

Sub drop, a#. If you use it. . . Remember who made it happen.

Drawing or doodling randomly on a paper with a sharp pen.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Rule of the octave, major scale.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 05:08, 14 July 2011 (UTC) using Sibelius 5.

Augmented chord progression: I+ vi63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Twelve bar blues in C, block chords.

I-IV-♭VII-IV chord progression. Barre chords on a MIDI acoustic guitar: C-F/C-B♭-F/C.

Predominant chord: ♭III+63.

Eight bar blues, guitar chords: I V7 IV7 IV7 V7-IV7 I V7.

Chromatic descending 5-6 sequence from which "Lay, Lady, Lay" sequence is derived.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Twelve bar blues in B, block chords. Created by Hyacinth (talk) 09:25, 17 December 2010 using Sibelius 5.

C major triads played on piano: 1) root position, 2) first inversion, 3) second inversion

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

After You've Gone by Creamer and Layton (1918) verse, mm.7-23. Nashville number system realization on guitar.

Donald MacGillavry

Four-voice texture from the Genevan psalter: Old 124th. Created by Hyacinth (talk) 01:43, 30 January 2012 (UTC) using Sibelius 5.

Stomp progression in C with staggered thirds, chord roots in red. Created by Hyacinth (talk) 04:06, 17 March 2010 using Sibelius 5.

Bergamesca ('The Buffens'), Straloch MS., c. 1600.

Recording of a symphonic brass chime, note c#.

Multiple sounds of small glass breaking.

Microphone feedback of varying lengths. Made by jamming earphone bud into the recorder's microphone with varying pressure, then cleaning out low end rumbling. Recorder: sony pcm-d100.

I made this for my game.

Ceramic toilet lid being moved, grinding against the tank. Ow!.

A brief ui sound i am using, maybe you can use it too.

The sound of a wide leather belt being removed. It wasn't being removed to undress. Wasn't my belt. Also not my best night.

Electric guitar low distortion blues style based on d sharp, g sharp and f sharp (you pick).

Sharp horn shot from a small suv being locked using the remote.

A man gasping.

This frequency is 136. 1 hz, or a c# if a=432hz. C# is often considered the "om tone", as there is some evidence that tibetan buddhist monks and others base their chants on this note. More info here: http://sonicfabric. Blogspot. Com/2012/01/432-hz-pythagoras-and-om-1361-edition. Html.

Just something i felt like uploading because i want people to use good stuff. Lel.

Sub drop in a#, made from scratch. Ala emmure.

Someone sharpening a knife.

I fold a paper and then roll it up and drop it on my desk.

I was always fascinated by this sound. Recorded on a canon d550 camera.